Johnny Panic and the Bible of Dreams

Johnny Panic and the Bible of Dreams

by Sylvia Plath

1977

Reviews

Finished 2025/08/01

No written review

Quotes

"Twice on Sundays, morning and evening, the town bell-ringers sent their carillons pounding out over the surrounding countryside. There was no escape from the probing notes. They bit into the air and shook it with a doggy zeal. The bells made Esther feel left out, as if from some fine local feast."
Mothers, p. 5
"My childhood landscape was not land but the end of the land—the cold, salt, running hills of the Atlantic. I sometimes think my vision of the sea is the clearest thing I own. I pick it up, exile that I am, like the purple “lucky stones” I used to collect with a white ring all the way round, or the shell of a blue mussel with its rainbowy angel’s fingernail interior; and in one wash of memory the colors deepen and gleam, the early world draws breath."
Ocean 1212-W, p. 14
"Even my grandfather, on the glassed-in verandah, couldn’t woo me from my huge gloom. I refused to hide his pipe in the rubber plant and make it a pipe tree. He stalked off in his sneakers, wounded too, but whistling. I waited till his shape rounded Water Tower Hill and dwindled in the direction of the sea promenade; its ice-cream and hotdog stalls were boarded up still, in spite of the mild pre-season weather. His lyrical whistle beckoned me to adventure and forgetting. But I didn’t want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin: I am I. That stone is a stone. My beautiful fusion with the things of this world was over."
Ocean 1212-W, p. 18
"Alison had, in plain view, given Millicent a sudden, rough shove, tumbling her to the ground. There was a second of silence, expectant as the brief interval between the flash of lightning and the thunder crack, and then Millicent howled from the grass."
Sweetie Pie and the Gutter Men, p. 159
"Oh, he’s not alone, although he thinks he is. A lot of people these days dream they’re being run over or eaten by machines. They’re the cagey ones who won’t go on the subway or the elevators. Coming back from my lunch hour in the hospital cafeteria I often pass them, puffing up the unswept stone stairs to our office on the fourth floor. I wonder, now and then, what dreams people had before ball bearings and cotton mills were invented."
Johnny Panic and the Bible of Dreams, p. 179
"To whom it may concern: Every now and then there comes a time when the neutral and impersonal forces of the world turn and come together in a thundercrack of judgment. "
Cambridge Notes, p. 293
"I too want to be important. By being different. And these girls are all the same. Far off, I go to my coat with Win; he brings me my scarf as I wait on the stair, and Chris is being red-cheeked and dramatic and breathless and penitent. He wants to be scolded, and punished. That is too easy. That is what we all want."
Cambridge Notes, p. 295
"And John says: “I could love you violently, if I let myself.” But he has not let himself. Why? Because I haven’t touched him, I haven’t looked into his eyes with the image he wants to see there. And I could. But I am too tired, too noble, in a perverse way. It sickens me. I wouldn’t want him, even as he became a victim. So I tell him casually that I won’t let it happen, playfully, because it is a stillborn child. I have given birth to so many of these."
Cambridge Notes, p. 296
"So, now I shall talk every night. To myself. To the moon. I shall walk, as I did tonight, jealous of my loneliness, in the blue-silver of the cold moon, shining brilliantly on the drifts of fresh-fallen snow, with the myriad sparkles. I talk to myself and look at the dark trees, blessedly neutral. So much easier than facing people, than having to look happy, invulnerable, clever. With masks down, I walk, talking to the moon, to the neutral impersonal force that does not hear, but merely accepts my being. And does not smite me down. "
Cambridge Notes, p. 298
"So ironic: I pick up poetic identities of characters who commit suicide, adultery, or get murdered, and I believe completely in them for a while. What they say is True."
Cambridge Notes, p. 303
"The dialogue between my Writing and my Life is always in danger of becoming a slithering shifting of responsibility, of evasive rationalizing; in other words: I justified the mess I made of life by saying I’d give it order, form, beauty, writing about it; I justified my writing by saying it would be published, give me life (and prestige to life). Now, you have to begin somewhere, and it might as well be with life; a belief in me, with my limitations, and a strong punchy determination to fight to overcome one by one: like languages, to learn French, ignore Italian (a sloppy knowledge of three languages is dilettantism) and revive German again, to build each solid. To build all solid."
Cambridge Notes, p. 309